102 bars of 8/4 -- not four -- at 120 BPM, 6:46 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 69-71, 73-75 and 85-87, and 5 more places -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 23 times: bars 1, 2, 3, 4, 6, 10 and 17 more.
6 more fills are written out on the fills page.
207 bars across 10 sections: 55 keep time, 23 are fills, 15 are stops and 106 are silent. The longest unbroken stretch of time is bars 89-100.
120 BPM, in 8/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
102 bars, about 6:46 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 23 times: bars 1, 2, 3, 4, 6, 10 and 17 more.