132 bars of 4/4 at 140 BPM, about 3:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 35-40, 43-48 and 67-72, and 3 more places -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 8 times: bars 8, 34, 50, 66, 97, 99 and 2 more.
2 more fills are written out on the fills page.
132 bars across 20 sections: 98 keep time, 8 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 68-82.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
132 bars, about 3:46 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 8, 34, 50, 66, 97, 99 and 2 more.