127 bars, 7:43, at 64 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, snare through bars 5-19, hi-hat through bars 20-29, snare through bars 30-37, hi-hat through bars 38-45 and snare through bars 46-53, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 89-102, 105-119 and 121-123, and 1 more place -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
90
1.......2.......3.......4.......
CC |x-------------------------------|
HH |----------------o---------------|
SD |x-------------------------------|
BD |x---------------x---------------|9 fills to learn, played 12 times: bars 4, 12, 19, 21, 29, 37 and 6 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
64 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
127 bars, about 7:43 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 12 times: bars 4, 12, 19, 21, 29, 37 and 6 more.