127 bars, 7:43, at 64 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 89-102, 105-119 and 121-123, and 1 more place -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 12 times: bars 4, 12, 19, 21, 29, 37 and 6 more.
5 more fills are written out on the fills page.
127 bars across 13 sections: 60 keep time, 14 are fills, 38 are stops and 7 are silent. The longest unbroken stretch of time is bars 60-72.
64 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
127 bars, about 7:43 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 12 times: bars 4, 12, 19, 21, 29, 37 and 6 more.