223 bars of 4/4 at 145 BPM, about 6:42 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-36 and 62-77 -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 37, 59 and 81.
232 bars across 21 sections: 145 keep time, 3 are fills, 16 are stops and 51 are silent. The longest unbroken stretch of time is bars 39-55.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
223 bars, about 6:42 at the written tempo. The course breaks it into 58 exercises over 20 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 37, 59 and 81.