206 bars of 4/4 at 120 BPM, about 6:52 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 41, 60-62 and 65-72, and 13 more places -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 40, 48, 64 and 76.
206 bars across 17 sections: 177 keep time, 4 are fills and 8 are silent. The longest unbroken stretch of time is bars 91-111.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
206 bars, about 6:52 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 4 times: bars 40, 48, 64 and 76.