233 bars of 4/4 at 120 BPM, about 7:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 17-23 and 43-49, and 9 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 26 times: bars 24, 32, 36, 40, 50, 58 and 20 more.
15 more fills are written out on the fills page.
233 bars across 20 sections: 175 keep time, 26 are fills, 6 are stops and 8 are silent. The longest unbroken stretch of time is bars 190-218.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
233 bars, about 7:46 at the written tempo. The course breaks it into 58 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 26 times: bars 24, 32, 36, 40, 50, 58 and 20 more.