61 bars of 4/4 at 130 BPM, about 1:53 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-10, 13-14 and 17-18, and 2 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 20 times: bars 8, 11, 12, 15, 16, 20 and 14 more.
5 more fills are written out on the fills page.
61 bars across 8 sections: 28 keep time, 20 are fills and 9 are silent. The longest unbroken stretch of time is bars 36-43.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
61 bars, about 1:53 at the written tempo. The course breaks it into 27 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 8, 11, 12, 15, 16, 20 and 14 more.