171 bars of 4/4 at 110 BPM, about 6:12 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 15 and 17, and 22 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 37 times: bars 4, 24, 28, 32, 36, 40 and 31 more.
17 more fills are written out on the fills page.
171 bars across 17 sections: 92 keep time, 37 are fills, 19 are stops and 1 is silent. The longest unbroken stretch of time is bars 73-88.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
171 bars, about 6:12 at the written tempo. The course breaks it into 67 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 37 times: bars 4, 24, 28, 32, 36, 40 and 31 more.