337 bars at 180 BPM -- fast, and 7:17 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
silence through bars 1-16, kick and crashes through bars 17-45, snare through bars 46-66, hi-hat through bars 67-68, ride through bars 69-70 and hi-hat through bars 71-72, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 199-205, 207-213 and 215, and 24 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
215
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o-o-o-o-o-o-|
SD |----x-------x---|
BD |xxxxxxxxxxxxxxxx|18 fills to learn, played 37 times: bars 36, 48, 65, 67, 70, 71 and 31 more.
It cuts the song into 60 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
337 bars, about 7:17 at the written tempo. The course breaks it into 60 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 37 times: bars 36, 48, 65, 67, 70, 71 and 31 more.