337 bars at 180 BPM -- fast, and 7:17 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 199-205, 207-213 and 215, and 24 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 37 times: bars 36, 48, 65, 67, 70, 71 and 31 more.
14 more fills are written out on the fills page.
337 bars across 21 sections: 145 keep time, 39 are fills, 79 are stops and 60 are silent. The longest unbroken stretch of time is bars 311-336.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
337 bars, about 7:17 at the written tempo. The course breaks it into 60 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 37 times: bars 36, 48, 65, 67, 70, 71 and 31 more.