89 bars of 3/4 -- not four -- at 78 BPM, 3:25 of playing on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 8-10, 12-14 and 16-17, and 7 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 21 times: bars 5, 6, 7, 18, 19, 25 and 15 more.
4 more fills are written out on the fills page.
89 bars across 9 sections: 43 keep time, 21 are fills, 1 is a stop and 18 are silent. The longest unbroken stretch of time is bars 8-17.
78 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
89 bars, about 3:25 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 21 times: bars 5, 6, 7, 18, 19, 25 and 15 more.