83 bars of 4/4 at 120 BPM, about 2:46 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-36, 38-44 and 49-52, and 1 more place -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 21, 37, 53, 61, 69, 71 and 2 more.
1 more fill is written out on the fills page.
83 bars across 8 sections: 54 keep time, 8 are fills, 8 are stops and 5 are silent. The longest unbroken stretch of time is bars 9-20.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
83 bars, about 2:46 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 21, 37, 53, 61, 69, 71 and 2 more.