144 bars of 4/4 at 135 BPM, about 4:18 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-36, 55-56 and 59, and 13 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
144 bars across 16 sections: 88 keep time, 19 are stops and 16 are silent. The longest unbroken stretch of time is bars 17-36.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
144 bars, about 4:18 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.