239 bars of 3/4 -- not four -- at 135 BPM, 6:07 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 82-88, 90-97 and 215-222, and 2 more places -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 31 times: bars 11, 12, 15, 21, 22, 24 and 25 more.
11 more fills are written out on the fills page.
239 bars across 24 sections: 138 keep time, 31 are fills, 32 are stops and 11 are silent. The longest unbroken stretch of time is bars 40-52.
135 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
239 bars, about 6:07 at the written tempo. The course breaks it into 83 exercises over 27 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 31 times: bars 11, 12, 15, 21, 22, 24 and 25 more.