136 bars of 4/4 at 120 BPM, about 4:31 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-5, kick and crashes through bars 6-12, ride through bars 13-21, hi-hat through bars 22-37, snare through bars 38-47 and hi-hat through bars 48-63, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 22-28, 30-36 and 48-50, and 3 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23
1...............2...............3...............4...............
HH |-o---------------o---------------o---------------o--------------|
SD |-----------------x-------------------------------x--------------|
BD |-x-------------------------------x-------x---------------x------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
136 bars, about 4:31 at the written tempo. The course breaks it into 38 exercises over 15 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.