136 bars of 4/4 at 120 BPM, about 4:31 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-28, 30-36 and 48-50, and 3 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
136 bars across 15 sections: 101 keep time and 11 are silent. The longest unbroken stretch of time is bars 23-36.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
136 bars, about 4:31 at the written tempo. The course breaks it into 38 exercises over 15 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.