179 bars of 4/4 at 144 BPM, about 4:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4-5, 7-9 and 11-13, and 14 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 23 times: bars 21, 22, 46, 48, 50, 66 and 17 more.
10 more fills are written out on the fills page.
179 bars across 15 sections: 121 keep time, 23 are fills, 12 are stops and 2 are silent. The longest unbroken stretch of time is bars 24-41.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
179 bars, about 4:48 at the written tempo. The course breaks it into 64 exercises over 21 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 23 times: bars 21, 22, 46, 48, 50, 66 and 17 more.