247 bars at 182 BPM -- fast, and 5:33 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-5, hi-hat through bars 6-15, ride through bars 16-17, snare through bars 18-33, hi-hat through bars 34-41 and snare through bars 42-45, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 18-22, 26-28 and 30, and 11 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1.......2.......3.......4.......5...
CC |----x-------x-------x-------x-------|
SD |----------------x-------------------|
BD |----x-------x-------x-------x-------|7 fills to learn, played 12 times: bars 70, 71, 79, 120, 129, 137 and 6 more.
It cuts the song into 57 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
182 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
247 bars, about 5:33 at the written tempo. The course breaks it into 57 exercises over 23 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 70, 71, 79, 120, 129, 137 and 6 more.