128 bars of 4/4 at 130 BPM, about 3:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34, 36 and 38, and 16 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 47 times: bars 1, 3, 5, 13, 15, 17 and 41 more.
17 more fills are written out on the fills page.
130 bars across 10 sections: 54 keep time, 47 are fills, 17 are stops and 3 are silent. The longest unbroken stretch of time is bars 6-12.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
128 bars, about 3:53 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 47 times: bars 1, 3, 5, 13, 15, 17 and 41 more.