275 bars of 4/4 at 144 BPM, about 8:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-31, 37 and 61, and 2 more places -- 5.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 76 times: bars 13, 14, 15, 16, 24, 32 and 70 more.
19 more fills are written out on the fills page.
275 bars across 29 sections: 131 keep time, 76 are fills, 5 are stops and 36 are silent. The longest unbroken stretch of time is bars 49-55.
144 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
275 bars, about 8:17 at the written tempo. The course breaks it into 112 exercises over 34 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 76 times: bars 13, 14, 15, 16, 24, 32 and 70 more.