115 bars of 4/4 at 140 BPM, about 3:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-13, 15-17 and 31-33, and 3 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 6 times: bars 42, 43, 63, 81, 98 and 110.
1 more fill is written out on the fills page.
115 bars across 14 sections: 66 keep time, 6 are fills, 18 are stops and 7 are silent. The longest unbroken stretch of time is bars 31-39.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
115 bars, about 3:16 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 42, 43, 63, 81, 98 and 110.