36 bars, 2:37, at 55 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 5, 8-9 and 11, and 3 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 3, 4, 6, 16, 20, 23 and 5 more.
3 more fills are written out on the fills page.
36 bars across 7 sections: 18 keep time, 11 are fills and 2 are silent. The longest unbroken stretch of time is bars 7-13.
55 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
36 bars, about 2:37 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 3, 4, 6, 16, 20, 23 and 5 more.