177 bars of 4/4 at 140 BPM, about 4:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 25-26, 29-30 and 33-34, and 9 more places -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 32 times: bars 8, 15, 16, 23, 24, 28 and 26 more.
11 more fills are written out on the fills page.
177 bars across 18 sections: 111 keep time, 32 are fills, 3 are stops and 13 are silent. The longest unbroken stretch of time is bars 100-111.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
177 bars, about 4:34 at the written tempo. The course breaks it into 61 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 32 times: bars 8, 15, 16, 23, 24, 28 and 26 more.