115 bars, 30:36, at 15 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
44 out of 100 -- a fair first song -- with how fine the subdivision is the part that decides it.
silence through bars 1-5, ride through bars 6-7, snare through bars 8-13, ride through bars 14-36, kick and crashes through bars 37-44 and hi-hat through bars 45-60, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 104-105, 107 and 109, and 2 more places -- 6.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
104
1.......2.......3.......4.......
RD |--------x---------------x-------|
HH |----------------x---------------|
T1 |--------------------x-----------|
FT |x-----------x---x---------------|
BD |--------------------x-----------|11 fills to learn, played 32 times: bars 36, 44, 46, 47, 48, 49 and 26 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
15 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
44 out of 100 -- a fair first song -- with how fine the subdivision is the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
115 bars, about 30:36 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 32 times: bars 36, 44, 46, 47, 48, 49 and 26 more.