115 bars, 30:36, at 15 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 104-105, 107 and 109, and 2 more places -- 6.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 32 times: bars 36, 44, 46, 47, 48, 49 and 26 more.
7 more fills are written out on the fills page.
115 bars across 13 sections: 58 keep time, 32 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 105-114.
15 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
44 out of 100 -- a fair first song -- with how fine the subdivision is the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
115 bars, about 30:36 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 32 times: bars 36, 44, 46, 47, 48, 49 and 26 more.