89 bars of 4/4 at a walking 78 BPM, 4:34 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
kick and crashes through bars 3-4, silence through bars 5-11, hi-hat through bars 12-19, ride through bars 20-27, hi-hat through bars 28-35 and ride through bars 36-43, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 12-17, 28-33 and 62-67 -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13
1.......2.......3.......4.......
HH |x---x---x---x---x---o---x---x---|
SD |--------x---------------x-------|
BD |x---------------x---x-----------|8 fills to learn, played 13 times: bars 3, 19, 26, 35, 43, 51 and 7 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 36 out of 100; the rest of the number is everything around it.
89 bars, about 4:34 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 3, 19, 26, 35, 43, 51 and 7 more.