89 bars of 4/4 at a walking 78 BPM, 4:34 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12-17, 28-33 and 62-67 -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 3, 19, 26, 35, 43, 51 and 7 more.
4 more fills are written out on the fills page.
89 bars across 11 sections: 54 keep time, 13 are fills, 7 are stops and 9 are silent. The longest unbroken stretch of time is bars 78-87.
78 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 36 out of 100; the rest of the number is everything around it.
89 bars, about 4:34 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 3, 19, 26, 35, 43, 51 and 7 more.