184 bars of 4/4 at 120 BPM, about 6:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 152-154, 156 and 158-162, and 3 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 27 times: bars 24, 32, 52, 54, 56, 68 and 21 more.
15 more fills are written out on the fills page.
184 bars across 23 sections: 103 keep time, 27 are fills, 24 are stops and 16 are silent. The longest unbroken stretch of time is bars 166-182.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
184 bars, about 6:11 at the written tempo. The course breaks it into 73 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 27 times: bars 24, 32, 52, 54, 56, 68 and 21 more.