220 bars of 3/4 -- not four -- at 145 BPM, 5:13 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 52, 60 and 66, and 25 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 16 times: bars 33, 41, 129, 142, 143, 144 and 10 more.
3 more fills are written out on the fills page.
220 bars across 21 sections: 145 keep time, 16 are fills, 19 are stops and 20 are silent. The longest unbroken stretch of time is bars 145-179.
145 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
220 bars, about 5:13 at the written tempo. The course breaks it into 69 exercises over 21 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 33, 41, 129, 142, 143, 144 and 10 more.