93 bars of 4/4 at 130 BPM, about 2:52 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-48, 82-88 and 90, and 1 more place -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 5, 13, 49, 65, 69, 78 and 5 more.
2 more fills are written out on the fills page.
93 bars across 11 sections: 60 keep time, 11 are fills, 5 are stops and 8 are silent. The longest unbroken stretch of time is bars 15-32.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
93 bars, about 2:52 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 5, 13, 49, 65, 69, 78 and 5 more.