30 bars of 4/4 at 120 BPM, about 1:00 of playing, on crash, snare and kick.
The beat the song is built on is one bar, played through bars 6-13 -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 1 time: bar 5.
30 bars across 4 sections: 22 keep time, 1 is a fill, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 15-22.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
30 bars, about 1:00 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 23 minutes each.
crash, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.
1 fill to learn, played 1 time: bar 5.