91 bars of 4/4 at 120 BPM, about 3:01 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 56-58, 60-62 and 64-66, and 1 more place -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 15 times: bars 1, 9, 18, 22, 30, 37 and 9 more.
7 more fills are written out on the fills page.
95 bars across 9 sections: 51 keep time, 15 are fills, 17 are stops and 3 are silent. The longest unbroken stretch of time is bars 57-71.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
91 bars, about 3:01 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 15 times: bars 1, 9, 18, 22, 30, 37 and 9 more.