132 bars of 4/4 at 120 BPM, about 4:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-10, 21-26 and 28, and 7 more places -- 23.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 20 times: bars 11, 17, 19, 48, 49, 57 and 14 more.
3 more fills are written out on the fills page.
132 bars across 10 sections: 78 keep time, 20 are fills, 19 are stops and 5 are silent. The longest unbroken stretch of time is bars 22-47.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
132 bars, about 4:24 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 11, 17, 19, 48, 49, 57 and 14 more.