150 bars of 4/4 at 145 BPM, about 4:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 31-33, 35-37 and 39-41, and 4 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 34 times: bars 9, 10, 11, 12, 26, 27 and 28 more.
8 more fills are written out on the fills page.
150 bars across 13 sections: 89 keep time, 34 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 136-150.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
150 bars, about 4:07 at the written tempo. The course breaks it into 46 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 34 times: bars 9, 10, 11, 12, 26, 27 and 28 more.