96 bars of 4/4 at a walking 98 BPM, 3:55 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 53-55, and 5 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 17 times: bars 4, 12, 20, 24, 28, 32 and 11 more.
6 more fills are written out on the fills page.
96 bars across 10 sections: 66 keep time, 17 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 5-11.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
96 bars, about 3:55 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 4, 12, 20, 24, 28, 32 and 11 more.