105 bars of 4/4 at 132 BPM, about 3:11 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23, 34 and 36, and 11 more places -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 7, 8, 16, 22, 24, 31 and 11 more.
5 more fills are written out on the fills page.
105 bars across 11 sections: 48 keep time, 17 are fills, 26 are stops and 4 are silent. The longest unbroken stretch of time is bars 25-30.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
105 bars, about 3:11 at the written tempo. The course breaks it into 36 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 7, 8, 16, 22, 24, 31 and 11 more.