168 bars of 4/4 at 118 BPM, about 5:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-5, 7-8 and 10-11, and 6 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 107 times: bars 6, 9, 12, 13, 14, 15 and 101 more.
5 more fills are written out on the fills page.
168 bars across 2 sections: 34 keep time, 107 are fills, 3 are stops and 24 are silent. The longest unbroken stretch of time is bars 24-32.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
168 bars, about 5:23 at the written tempo. The course breaks it into 15 exercises over 10 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 107 times: bars 6, 9, 12, 13, 14, 15 and 101 more.