461 bars of 4/4 at a walking 80 BPM, 22:15 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 236-238, 240-242 and 326-341, and 1 more place -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 7 times: bars 413, 436, 437, 445, 456, 458 and 1 more.
461 bars across 34 sections: 290 keep time, 7 are fills, 3 are stops and 138 are silent. The longest unbroken stretch of time is bars 326-373.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
461 bars, about 22:15 at the written tempo. The course breaks it into 77 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 7 times: bars 413, 436, 437, 445, 456, 458 and 1 more.