461 bars of 4/4 at a walking 80 BPM, 22:15 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bar 1, kick and crashes through bars 2-9, hi-hat through bars 10-25, silence through bars 26-37, kick and crashes through bars 38-39 and hi-hat through bars 40-90, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 236-238, 240-242 and 326-341, and 1 more place -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
326
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |x---x---x---x---|
BD |x---x---x---x---|2 fills to learn, played 7 times: bars 413, 436, 437, 445, 456, 458 and 1 more.
It cuts the song into 77 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
461 bars, about 22:15 at the written tempo. The course breaks it into 77 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 7 times: bars 413, 436, 437, 445, 456, 458 and 1 more.