225 bars of 4/4 at 115 BPM, about 7:50 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36, 38 and 40, and 35 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 1, 10, 18, 26, 34, 58 and 5 more.
3 more fills are written out on the fills page.
225 bars across 12 sections: 155 keep time, 12 are fills, 43 are stops and 2 are silent. The longest unbroken stretch of time is bars 194-223.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
225 bars, about 7:50 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 1, 10, 18, 26, 34, 58 and 5 more.