242 bars of 6/4 -- not four -- at 222 BPM, 6:32 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 1-16, snare through bars 17-20, ride through bars 21-29, snare through bars 30-32, ride through bars 33-116 and hi-hat through bars 117-124, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 36, 38 and 46-47, and 15 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
36
1e+a2e+a3e+a4e+a5e+a6e+a
RD |x-----x-----x-----x-----|
SD |------x-----------x---x-|
BD |x---x-------x---x-------|11 fills to learn, played 22 times: bars 20, 28, 64, 65, 66, 74 and 16 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
222 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
242 bars, about 6:32 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 20, 28, 64, 65, 66, 74 and 16 more.