242 bars of 6/4 -- not four -- at 222 BPM, 6:32 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36, 38 and 46-47, and 15 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 22 times: bars 20, 28, 64, 65, 66, 74 and 16 more.
7 more fills are written out on the fills page.
242 bars across 11 sections: 122 keep time, 22 are fills, 4 are stops and 81 are silent. The longest unbroken stretch of time is bars 97-115.
222 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
242 bars, about 6:32 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 20, 28, 64, 65, 66, 74 and 16 more.