110 bars of 4/4 at 120 BPM, about 3:39 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 31-32, and 10 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 33 times: bars 9, 13, 20, 21, 22, 23 and 27 more.
10 more fills are written out on the fills page.
110 bars across 12 sections: 65 keep time, 33 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 94-101.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
110 bars, about 3:39 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 33 times: bars 9, 13, 20, 21, 22, 23 and 27 more.