224 bars of 4/4 at a walking 80 BPM, 10:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-26, 33-36 and 43-46, and 3 more places -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 30 times: bars 16, 17, 27, 37, 47, 51 and 24 more.
16 more fills are written out on the fills page.
241 bars across 33 sections: 157 keep time, 31 are fills, 3 are stops and 6 are silent. The longest unbroken stretch of time is bars 1-15.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
224 bars, about 10:21 at the written tempo. The course breaks it into 89 exercises over 29 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 30 times: bars 16, 17, 27, 37, 47, 51 and 24 more.