139 bars of 4/4 at 115 BPM, about 4:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-18, 21-22 and 25-26, and 9 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 23 times: bars 8, 14, 15, 16, 24, 28 and 17 more.
8 more fills are written out on the fills page.
139 bars across 12 sections: 84 keep time, 23 are fills, 14 are stops and 8 are silent. The longest unbroken stretch of time is bars 78-87.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
139 bars, about 4:50 at the written tempo. The course breaks it into 48 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 8, 14, 15, 16, 24, 28 and 17 more.