275 bars of 4/4 at a walking 96 BPM, 11:26 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 190, 215-226 and 231-246, and 1 more place -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
275 bars across 30 sections: 196 keep time and 65 are silent. The longest unbroken stretch of time is bars 214-246.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 16 out of 100; the rest of the number is everything around it.
275 bars, about 11:26 at the written tempo. The course breaks it into 50 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.