275 bars of 4/4 at a walking 96 BPM, 11:26 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 3-20, snare through bars 21-36, hi-hat through bars 37-44, kick and crashes through bars 45-52, snare through bars 53-68 and silence through bars 69-72, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 190, 215-226 and 231-246, and 1 more place -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
215
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x--x--x---x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 16 out of 100; the rest of the number is everything around it.
275 bars, about 11:26 at the written tempo. The course breaks it into 50 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.