110 bars of 4/4 at 122 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-9, 26-33 and 54-61, and 3 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 8 times: bars 45, 69, 73, 77, 101, 105 and 2 more.
2 more fills are written out on the fills page.
110 bars across 12 sections: 83 keep time, 8 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-8.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
110 bars, about 3:36 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 45, 69, 73, 77, 101, 105 and 2 more.