71 bars of 6/4 -- not four -- at 130 BPM, 3:17 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-25 and 37-43 -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 4 times: bars 14, 26, 32 and 44.
71 bars across 9 sections: 29 keep time, 4 are fills and 30 are silent. The longest unbroken stretch of time is bars 8-13.
130 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
71 bars, about 3:17 at the written tempo. The course breaks it into 14 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 14, 26, 32 and 44.